planets in the Meniscus system 2

Writing science-fiction involves ‘world-building’, the process of creating an imaginary world. This fictional world can be represented with maps, illustrations and descriptions of setting. The constructed world should be coherent, and can have a history, geography, ecology,  demographics, and so on.

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For my series about planet Meniscus, most of the world-building has been on-planet, inventing deserts and forests and the ecosystems found there.

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'sandstorm in The Darn-el'test
in Meniscus: Crossing The Churn, my main characters have to cross a desert, find shelter from a sandstorm and cope with scarce water

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However, just as with ‘character-building’, a writer is wise to develop as much information about the setting as possible, even if that information does not get included in the story. This information will inform the story and provide context.

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For that reason, I have developed a setting beyond planet Meniscus itself. I have given Meniscus a ‘solar system’ and invented some basic information on the planets there. After all, my characters spend a lot of time looking at the sky and who knows what they may see!

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'naming the stars'paperback

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In Book Five of the series, ‘Meniscus: Karst Topography’, one of the displays in a museum will be a holographic presentation of the solar system and the larger galaxy. When one of the characters ‘explores’ the holographic system, she will be able to experience returning to her home on Earth and to express her ideas about living so far from home.

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The fictional solar system where Meniscus is a planet is small — only four planets and their moons.

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xolar system

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‘Sel’ is the fourth planet in the system, a huge water planet. The white areas on Sel are frozen water; the blue areas are upwellings of liquid water, located in surface ‘hot-spots’.  The life-forms on Sel are microbial, evolved to live in a watery world. Most of their lives are spent in a dormant state, waiting for intermittent thaw, or in the small air pockets in solid ice.

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sel
The planet ‘Sel’

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Copyright 2017 Alexandra Tims

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