building a character for science fiction

When I first began to write my books about the planet Meniscus, I had my main male character firmly in my mind. I knew I wanted a character who would be strong and attractive, but one who would be very quiet. I wanted his motivations to be difficult to understand. And, I wanted him to look like this:

'Eu-hom' Nov 11 2016 (2016_12_30 00_28_35 UTC)


The idea for my book came from a piece of writing I did in 1990.  The protagonist was a biologist, responsible for cataloguing plant species on an alien planet. One of the characters she encounters is Niober, a genetically-modified human, part man, part energy.


Scan_20170731 (5).jpg


When I returned to the writing in the fall of 2016, the name of the biologist (Odymn) and the modified human were all that I kept of that early writing (oh and the last line about being Odymn’s lover and friend). Niober’s name and the planet Kara and the energy beings all went to the bin.


When I started writing in November 2016 and drew the image above, I was still calling my character ‘Eu-hom’, a very terrible name. That went to the bin as well.


If I look at other books in the category science-fiction/romance, most covers have an image of a broad-shouldered, bare-chested man wooing a woman with long flowing hair. I immediately did Odymn’s hair up in a braid and covered the Slain’s chest in armour.


The genetic manipulation idea gives me a lot of scope for making the Slain a bit strange. What really helped was providing some background for the process of genetic manipulation, in the description of another character in my book, Garg, a Doc-winder (tall, long neck, ruthless) (see here to learn more about Dock-winders):


Garg – A Dock-winder; Head Geneticist at the Human Property Grow-up Facility in Sintha; most of the 49 tattoos on his neck were earned for Human genetic innovations, including energy armour, the nictitating eyelid, metabolic slow-down, thermal-imaging night vision, smooth-muscle vibration and disarticulating thumb and forefinger.


The Slain’s motivation continues to be a bit of mystery in my books. When he is first introduced, he is a trader in sentient beings, kind but single-minded (take the Human from Point A to Point B). He is the product of his background, brought to Meniscus from Earth when he was eight years old and genetically manipulated to become ‘the Slain’.

I think of him, without home or family, invincible and independent, roaming back and forth across the woodlands and deserts of Meniscus, taking life as it comes his way. And, as a writer, it is easy to decide what he would do in any particular circumstance.

And then, one day, he intercepts a young woman, fleeing from a slear-snake.


Meniscus Crossing The Churn cover painting (2)


So, there you have him. The Slain.  A trader in sentient beings. A shrewd negotiator who is sparing with words. Fit, strong, silent in conversation. Not very flexible. A little calculating. Bare-chested except for his armour (and in winter when he wears a tunic). Critical of Odymn’s impulsive nature. Hard to figure.


All the best,


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