Meniscus: The Village at Themble Hill

“I never fall,” says Odymn.

“Really?” says the Doctor, as he examines her scars.

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In Meniscus: The Village at Themble Hill, Odymn tries to cope with a loss of her independence.  With the embryonic community of Themble Hill growing around her, Odymn knows the support of friendship and love as she recuperates. But are they really safe in the new community? Will the Dock-winders ever leave them alone???

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You can find Meniscus: The Village at Themble Hill in paperback format at Amazon here. The Kindle version will be available soon. For readers in the Fredericton area, the paperback will be available at Westminster Books after May 1st.

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All my best,

Alexandra

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Meniscus: The Village at Themble Hill – available April 14

The Proof of my new book in the Meniscus Series has arrived!

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Meniscus: The Town at Themble Hill

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… On the alien planet Meniscus, against all odds, a small group of Humans works to forge a new life together. When a Dock-winder drone pays them a visit, Odymn and the Slain trek along the heights of The Fault, to make certain the community is not in danger of invasion. They find a new way to scale The Fault and a perfect location for building a new village. Matters are complicated when Odymn is injured on a parkour run and the Slain’s former girlfriend joins the group. Faced with a dangerous journey through the Themble Wood and the hardships of building a new community, are the Humans in more danger from themselves, the alien landscape, or their Doc-winder overlords?

 

… In the fourth book of the Meniscus series, The Village at Themble Hill chronicles the first days of community life on a planet where Humans are not allowed to associate and freedom is always at risk.

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home is the safest place … so build a home …

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Only ten more days!

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All my best,

Alexandra

series complications – time-lines

I have published four books in my science fiction series Meniscus. The fifth book (Meniscus: The Village at Themble Hill) will be released on April 14, 2018. I have four other books in DRAFT. Keeping them straight has become a bit of a nightmare!

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'Odymn falls' final
in ‘The Town at Themble Hill’, Odymn breaks her leg … not a happy time for a girl who loves to run in the Themble Woods …

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The planet Meniscus, with its interesting landscape and biology, suggests many possible adventures. A while ago, I began to think about a ‘spin-off’ featuring the stories of different main characters. I also wanted to include characters from the first books, to give them more background and a better chance to ‘speak’.

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To weave the stories together, I realised I would need to create a time-line for my books. This would help me to situate the new characters in time and avoid character collisions. I did not want characters who were supposed to be in Prell to show up in Sintha. I did not want dead characters to live after their demise.

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The time-line shows the books in the series, the number of days covered in each book, the seasons and the years. The first eight books are consecutive, flowing from one to the other.

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time line

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In my next book, I want to introduce some of the Human recruits to the Village at Themble Hill and tell about them when they were still captives of the Gel-heads. So I knew the next book would start before the end of book Four and continue until the beginning of Book Six when Don’est’s continuous, banshee scream splits the air of the Themble.

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'Don'est'paperback
Why is Don’est screaming? You’ll have to wait until Book Six, ‘Meniscus: Encounter with the Emenpod’, to find out!

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Plotting the time-lines helped me know what characters I could include, the seasonal components of the setting and how to merge the stories.  It also suggested to me that I should re-number Meniscus Six, Seven and Eight to better reflect the time-line.

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time line 2

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If you are writing a series, I suggest you add time-lines to your process. Think of your story in terms of time. Determine how many days pass during the story. Plot the sequence of your stories with respect to one-another. This will help you to avoid inconsistencies and incongruencies.  It will also help you be accurate if your setting has a seasonal component.

If you are dealing with time-travel, causality and paradoxes, considering time-lines is essential!

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Hope this helps you with the writing of your series!

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All my best,

Alexandra

 

 

ending a story

When I started to write my science fiction Meniscus Series, I had no idea where it would take me. All I knew was, the first story was there in my head, waiting to be told. Now I have four books published in the Series and five more planned. I have had to think about how I would end each book. I want each book to stand alone and yet I also want to segue into the next book. I also want the read to be satisfying and somewhat unexpected.

Meniscus: Crossing The Churn (here)

Meniscus: One Point Five – Forty Missing Days (here) (or free on Wattpad here)

Meniscus: South from Sintha (here)

Meniscus: Winter by the Water-climb (here)

Meniscus: The Village at Themble Hill (coming April 14, 2018)

Meniscus: Karst Topography (coming in 2018)

Meniscus: Encounter with the Emenpod (coming in 2018)

Meniscus: Journey to Bleth (coming in 2019)

Meniscus: Oral Traditions (coming in 2019)

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Crossing The Churn  Scan_20180120 (2) Scan_20170522  Meniscus Winter by the Water-climb

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Perhaps the most significant characteristic of endings has to do with outcome.

Do characters reach their destination or not?

Do they find the object of their quest or are they unsuccessful?

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'release of the feather' close up

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Beyond this, endings have other characteristics. Endings can be:

happy or sad

surprising or expected

exciting (active) or subdued (passive)

fated or governed by free-will

triumphant or disastrous

concluding or beginning

optimistic or pessimistic

encouraging or disappointing

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'Odymn hides in the leaves'

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With eight variables, there are many possible combinations. I did a quick analysis of my stories Meniscus: Crossing the Churn (blue dots) and Meniscus: Karst Topography (red dots). The endings are quite different, although they have commonalities. I have put in bold the characteristics of endings I usually prefer in stories.

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endings

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A book in a series may demand a different set of endings than a self-contained, stand-alone story. An ending that suggests a new beginning will make a reader read the next book to discover what happens next. A disastrous ending will entice a reader to find out how the disaster is dealt with in the next book.

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Not too long ago, I had a discussion with a reader who said the best endings are unexpected, but not necessarily related to the main objective, quest or destination.  The ending returns instead to something contained in the story that seems unconnected to the success of the mission or the eventual fate of the characters.

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A simple example:

A woman, whose husband is killed in an explosion, tries to rebuild her life. She searches for a man who will make her happy and after several failures, she finds him. The story ends at the wedding when she sees a man among the visitors who looks just like her first husband.

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The ending is, of course, is not independent of the story. Moreover, stories have a way of writing themselves, situation leading to situation until a conclusion is reached.

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When you finish writing your story, you have not reached the end. Now comes the editing! The ending of your story deserves a little analysis. Considering the ending with respect to the characteristics above may help you with the process.

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All the best in your writing!

Alexandra

 

 

 

 

Free Book … Meniscus: Winter by the Water-climb

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From March 3 to March 7, 2018, you can get the Kindle version of Meniscus: Winter by the Water-climb for FREE. Just click here to find out how the winter season goes for Odymn on an alien planet.

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Winter on the planet Meniscus is brutal — the plenty of other seasons gives way to scarcity and desperation. Unprepared for the months ahead, Odymn and the Slain find shelter with the generous Argenops, friendly furry creatures. When Odymn has to survive without the help of the Slain, she must depend on her own wits and her skill at parkour to survive the alien landscape of the Themble. But she is not prepared for new arrivals, group of survivors of a transport ship crash. On a planet where Human relationships are not allowed, ten people and an alien child take the first steps toward building a community.

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Hope you love the story of winter on Meniscus. And the story of how genetically altered Slains usually spend the winter!!!

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https://www.amazon.com/dp/1544818068

Meniscus Winter by the Water-climb

Six reasons to write narrative in poetry

Almost every day I wonder if I should have written my science-fiction story in prose, as is usual with fiction. Instead I wrote all three books as free verse, in a long narrative poem. Many people do not like to read poetry — too complicated, too intense, too much like high school. Poetry books, even those that tell stories, do not sell well. There is not even a category in Amazon books for ‘Poetry, Science Fiction’. Poetry is boring.

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I could have written my books as prose. I have written four books (unpublished) of fiction, so I know a bit about the process. If I was given the choice of reading a tale in poetry or prose, which would I choose? I only know, the story of Odymn and the Slain, set on the planet Meniscus, was made for poetry.

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Meniscus Crossing The Churn cover painting (3)

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1. The strange world of Meniscus needs strange description. This is a world where all is viewed through a purple mist.  The smell of cinnamon dominates. Water flows upward not down, and floats in droplets in the air. The alien language spoken on Meniscus is itself filled with alliteration and strange sounds. The word choices of poetry help the reader take the journey to Meniscus.

Bubbles rise, meet surface,

swell to domes, stretch and burst.

Disperse in elastic, floating drops.

 

Droplets hover

above the sheen of mosses,

between emerald and velvet ferns,

fronds flat and freckled.

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2. Poetry allows terse story-telling. A lot of information can be packed into a few lines. Description is sometimes sacrificed, but the reader, embedded in the story, can fill in the detail. Sometimes the world created by the dual effort of writer and reader is more complex and complete.

A slear-snake, trolling for prey.

Nostrils expel viscous breath, visible

in the light of the rising moons.

 

Putrid exhalation,

sulphides and zootoxins,

evolved to paralyse prey.

Three eyes, oozing.

 

Her muscles respond,

propel her forward.

Side-wind and a claw

rakes her back.

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3. The brevity of poetry suits the communications of the characters. The Slain, a genetically modified human with nictitating eyelids and the ability to channel energy to his armour, speaks rarely and briefly. Odymn sometimes jabbers she talks so much. The gaps and rhythms of poetry allow spaces in their conversation, the way white space on the page relieves our eyes.

“Odymn,” she says.

“Named by my father.

 

“Now you,” and points at his chest.

 

Blue sparks snap to the tip of her finger.

Faint vibration through hand, along arm,

deep into torso.

 

Penetrating stare.

Lazy double blink.

Membrane and lashes close and open.

 

“OK. I’ll choose a name for you.

Daniel. Or James.

Not quite right, too common.

 

“You need an alien name.

Something deep from Dock-winder mythology.

Amblyn, god of fire. Or De-al, water-weld.”

 

Steady stare. Double blink.

One hand lifts. One finger raised to lips.

Be silent.

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4. Odymn, the main female character, has a skill to help her survive on Meniscus — she is a practitioner of parkour. Parkour is a way of moving through the landscape with running, jumping and climbing. The flow of poetry helps with the description of the fluid movements of parkour.

Dismount from the tree.

Trunk to trunk and flip forward.

Leap and struggle to stick the jump.

Vault and pivot.

 

Loves the silence,

quiet impact of feet, slap of fingers.

Ballerina toes thumping the stage.

Hands touching the surface of planet.

'parkour through the wood'test

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5. When I write in free verse, I leave out most of the little words, the, and, a …  There is not much room for adverbs or unnecessary adjectives. The nouns and verbs tell the story. Actions read as more immediate, fast-paced and urgent.

Fingers ripping fabric.

Knee on her throat.

Violated by mouths and teeth,

dragged backwards over cobblestones.

Rising mist of red.

Fabric and legs splayed.

Skull-cracking fist.

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6. Love scenes are fun to write in poetry. The reader uses every word to suggest a hundred more. Even a word like ‘peel’ becomes sensuous, embedded with meaning.

He lifts her, removes

every barrier between them.

Cold copper and silken ribbons

peeled away.

 

His skin a brief pause

before muscles

and movement.

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I have considered writing other books in the series in prose. But when I do, I remember what is sacrificed. Brevity, depth, intensity, strangeness and urgency are components I want to keep in the story of Odymn and the Slain. Occasionally, I can relax the poetry to write dialogue, for example. But I always want to return to a place where the reader can walk through a village on Meniscus and experience the surroundings in brief impressions, as we do in reality.

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Narrow streets.

Smooth stucco, mossy stairs.

Aroma of brewing zed.

Passageways exhale

solace, comfort, repose.

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All my best,

Alexandra

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