World-building: Invasive species

On Earth, in real life, careless actions often result in displacement of native vegetation by alien or exotic plants. Invasive plant species significantly modify the ecosystems they colonize. On Earth, in Canada, we have the examples (among many) of Wild Parsnip, Purple Loosestrife, Common Tansy and Garlic Mustard. For information on these invasive species, see the Nature Conservancy’s Invasive Species Guide.

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Common tansy is a pretty plant but is considered invasive in parts of Canada

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In my books about the planet Meniscus, invasive species make up a significant part of the vegetation.  As the result of Dock-winder visits to Earth, the planet Meniscus is plagued by several invasive plants. When the Dock-winders return to Meniscus after their visits to Earth, they bring back, either accidentally or deliberately, vegetation not native to their own planet.

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Adding these species to my list of plants on Meniscus has been an enjoyable part of world-building. I like to think nasty aliens like the Dock-winders will eventually have to suffer the effects of their carelessness as invasive species modify the ecosystems of their planet.

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In my books, you will find unfamiliar plants like ransindyne, spenel and zill. You will also find some plants native to Earth.

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Banyan:  On Earth, Banyan is native to India and occurs worldwide in tropical and semi-tropical zones. Banyan begins its life as an epiphyte, a plant that grows on another living plant. The host plant is often ‘strangled’ by the Banyan.  Older Banyan trees have vigorous aerial roots and one tree can spread to create a whole grove of trees.

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On Meniscus, Banyan were introduced by the Dock-winders as a decorative tree. The tablith, a large Meniscus bird, collects bits of Banyan as nest-building material. Seedings sprout in the nests and gradually spread into the native forests. By the Earth year 2023, Banyan has become the main species of the En’ast Wood and a major component of the Sintha and Themble Woods. My character Daniel, the Slain, has tended a giant banyan and built his home of ‘Rafters’ by careful pruning of the aerial root system.

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Glasswort: On Earth, Glasswort or Salicornia grows mainly in coastal areas. It is a small plant adapted to life in a saline environment. It often grows in salt marsh. Glasswort’s leaves are reduced and modified, so the plant has a tubular translucent appearance. The plant is very salty in taste and can be used raw as a salad green.

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Since the salt mineral is rare on Meniscus, Dock-winders have harvested plants in intertidal areas of Earth as a source of salt. Glasswort, included in these harvests, has escaped to live along the ‘Churn’ and ‘Vastness’ areas of Meniscus. Odymn, a major character in my books, collects Glasswort from the wild to use as nibbling food and to flavour stews.

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Tussilago: Tussilago or Coltsfoot is a charming yellow flower that grows along the roadsides in eastern Canada. It is one of the first flowers to bloom in spring and looks a bit like a Dandelion without its leaves. Coltsfoot has anti-inflammatory properties and was used by settlers to make a cough remedy.

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When the Dock-winders visited Earth, they collected whole transport trucks of produce. During collection, the transports often crashed and plowed up roadside soil and vegetation. Seedlings and seeds of Tussilago travelled to Meniscus along with the produce trailers. Once on Meniscus, they quickly colonized areas of disturbed ground. Edward, the Human Doctor in my series, knows a bit about herbal medicine, and uses Tussilago as a cough medicine since Human pharmaceuticals are rare on Meniscus.

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Don’t be like the Dock-winders! Don’t spread invasive species. Don’t plant invasive species in your garden and don’t inadvertently transplant species by moving untreated soil from place to place. Follow suggested methods of controlling and eradicating these species.

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I hope you enjoy reading my books and keep an eye out for these species in the Meniscus landscape!

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All my best,

Alexandra

 

 

 

 

vanilla and cinnamon – aromatics and aldehydes: five ways to describe smells in your writing

If you build a world in science fiction, describing the world should involve all the senses. Of the five senses, I find sights and sounds the easiest to describe. Smells, touch and taste are more difficult. Especially in my early drafts, aromas, tactile sensations and tastes are often missing.

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Including smells in my writing is much more than writing “the market smelled like boiling cabbage.” The range of methods and words to describe smell is full of possibilities.

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Gel-heads, aliens in the Meniscus series, smell disgusting. Words like oily, putrid, rank, rancid or foul would be suitable to describe their smell.Gel-heads, aliens in the Meniscus series, smell disgusting. Words like oily, putrid, rank, rancid or foul would be suitable to describe their smell.

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I don’t want a story stinky with description of smells, so, in the story I am working on, I chose five places and three characters to understand in terms of their olfactory landscape.

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The challenge is to describe these places and characters in ways to bring the reader into the experience. This can be done in several ways. The writer can describe smells in terms of:

  1. Parts of speech: verbs (waft, distract, permeate, intrude, bake, fry, rot, burn), nouns (wisp, aroma, odour, pocket, fragrance, stench, stink, smell), and adjectives (moody, acrid, crisp, earthy, shrill, putrid, rancid, salty, sharp, repulsive, spicy, stale, aromatic, fetid, loamy);
  2. The classes of odours (camphoraceous, musky, floral, pungent, ethereal, minty, putrid, almond, aromatic and aniseed);
  3. The chemistry of smells: the interesting words of chemistry might not suit every story, but occasionally, used from the point of view of a character who is a chemist or a perfumer, occasional use of a chemistry term might fit. We have the smells of human waste such as butyric acid (vomit), hydrogen sulphide ( rotten eggs), valeric acid ( rancid food), and ammonia (urine). Nutty smells like popped corn, baking bread and coffee are the product of alkylprazines. Bananas and wintergreen result from esters, and chemicals of cinnamon, wintergreen and vanilla are aromatics. One of my first labs in university chemistry taught me how to extract limonene, the terpene of citrus fruit peel.
  4. Experiences connected to smells, especially universal experience. Smoky smells of fire, pungent smells of drying autumn leaves, the revolting smell of sour milk, and acrid smells of a skunk’s spray are experiences common to many readers.
  5. Characteristics not usually assigned to smell: dark or bright, lite or heavy, sharp or dull, crisp or soft, creamy or brittle, soft or hard.

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If I ‘climb inside’ my landscape, I can describe the smells of a space using the five sources listed above. Then, as I encounter the landscape in my story, I have a ready-made list of odours.

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The woodlands on planet Meniscus have characteristic smells : the grammid trees of the Sintha Wood smell like cinnamon, like apple pie. Words like intoxicating, spicy, subtle, warm, aromatic, permeate, wisp.

The woodlands on planet Meniscus have characteristic smells: the grammid trees of the Sintha Wood smell like cinnamon, like apple pie. Words like intoxicating, spicy, subtle, warm, aromatic, permeate, wisp could be used to describe the smells of this space.

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The method above can be used to describe tastes encountered in the story, or touches and sounds.

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All my best,

(have fun with your writing)

Alexandra

 

Meniscus: The Village at Themble Hill

“I never fall,” says Odymn.

“Really?” says the Doctor, as he examines her scars.

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In Meniscus: The Village at Themble Hill, Odymn tries to cope with a loss of her independence.  With the embryonic community of Themble Hill growing around her, Odymn knows the support of friendship and love as she recuperates. But are they really safe in the new community? Will the Dock-winders ever leave them alone???

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You can find Meniscus: The Village at Themble Hill in paperback format at Amazon here. The Kindle version will be available soon. For readers in the Fredericton area, the paperback will be available at Westminster Books after May 1st.

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All my best,

Alexandra

series complications – time-lines

I have published four books in my science fiction series Meniscus. The fifth book (Meniscus: The Village at Themble Hill) will be released on April 14, 2018. I have four other books in DRAFT. Keeping them straight has become a bit of a nightmare!

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'Odymn falls' final
in ‘The Town at Themble Hill’, Odymn breaks her leg … not a happy time for a girl who loves to run in the Themble Woods …

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The planet Meniscus, with its interesting landscape and biology, suggests many possible adventures. A while ago, I began to think about a ‘spin-off’ featuring the stories of different main characters. I also wanted to include characters from the first books, to give them more background and a better chance to ‘speak’.

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To weave the stories together, I realised I would need to create a time-line for my books. This would help me to situate the new characters in time and avoid character collisions. I did not want characters who were supposed to be in Prell to show up in Sintha. I did not want dead characters to live after their demise.

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The time-line shows the books in the series, the number of days covered in each book, the seasons and the years. The first eight books are consecutive, flowing from one to the other.

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time line

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In my next book, I want to introduce some of the Human recruits to the Village at Themble Hill and tell about them when they were still captives of the Gel-heads. So I knew the next book would start before the end of book Four and continue until the beginning of Book Six when Don’est’s continuous, banshee scream splits the air of the Themble.

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Why is Don’est screaming? You’ll have to wait until Book Six, ‘Meniscus: Encounter with the Emenpod’, to find out!

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Plotting the time-lines helped me know what characters I could include, the seasonal components of the setting and how to merge the stories.  It also suggested to me that I should re-number Meniscus Six, Seven and Eight to better reflect the time-line.

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time line 2

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If you are writing a series, I suggest you add time-lines to your process. Think of your story in terms of time. Determine how many days pass during the story. Plot the sequence of your stories with respect to one-another. This will help you to avoid inconsistencies and incongruencies.  It will also help you be accurate if your setting has a seasonal component.

If you are dealing with time-travel, causality and paradoxes, considering time-lines is essential!

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Hope this helps you with the writing of your series!

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All my best,

Alexandra

 

 

Free Book … Meniscus: Winter by the Water-climb

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From March 3 to March 7, 2018, you can get the Kindle version of Meniscus: Winter by the Water-climb for FREE. Just click here to find out how the winter season goes for Odymn on an alien planet.

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Winter on the planet Meniscus is brutal — the plenty of other seasons gives way to scarcity and desperation. Unprepared for the months ahead, Odymn and the Slain find shelter with the generous Argenops, friendly furry creatures. When Odymn has to survive without the help of the Slain, she must depend on her own wits and her skill at parkour to survive the alien landscape of the Themble. But she is not prepared for new arrivals, group of survivors of a transport ship crash. On a planet where Human relationships are not allowed, ten people and an alien child take the first steps toward building a community.

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Hope you love the story of winter on Meniscus. And the story of how genetically altered Slains usually spend the winter!!!

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https://www.amazon.com/dp/1544818068

Meniscus Winter by the Water-climb

Guest Post: Liza O’Connor – Destination: Titan

Welcome to a guest post by Liza O’Connor, author of Destination: Titan – science fiction with lots of sexy romance, an intriguing story line and interesting characters. I was first introduced to Liza through her book Angel of Mercy. I enjoyed that book and I am now in the middle of reading Destination: Titan.

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Meet the main character

Tamara: She’s not even considered important when she first arrives but very soon she is critical to the mission.

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Destination: Titan

By

Liza O’Connor

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With Earth destined for a new ice-age, seven scientists and twenty-two brilliant teenagers are gathered in a compound deep within a mountain. There they struggle to come together as a group and complete the projects needed for their survival in the inhospitable environment of Titan, one of Saturn’s moons. However, certain factions on Earth have no intention of letting Project Einstein succeed. Keeping the group alive and productive is the hardest task Colonel Lancaster and his soldiers have ever had, but they are determined to succeed no matter how well the saboteurs have planned. The continuation of the human race depends upon it.

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Excerpt

“So, you’re telling me I was chosen over every other biochemist in the world because my favorite color is orange.” Tamara tugged at a strand of her short blonde hair. Her mentor was the brightest man she knew, but this didn’t make any sense at all!

Maxwell’s eyes sparkled. “I love the way your brain tunnels in and isolates the key differentiator.”

“The fact I like the color orange should not be a key differentiator.”

Her mentor shrugged and paced the small, open space of the conference room. “Well, when all other things were equal, it became so. This project requires a top biochemist under the age of thirty, in excellent health, unmarried, with no constraints that would prevent traveling. There were quite a few scientists who met those requirements. Therefore, further differentiators were selected. The ability to work with teenagers dropped out all but two, and your clear preference for the color orange put you securely on top of the last remaining candidate.”

“But it’s a meaningless differentiator unless we’re going someplace that only has the color orange.” She fell silent as she considered that possibility. “Exactly how far will we be traveling?”

“Quite a distance.” His eyes twitched several times.

They only did that when he was conflicted, which told her she was asking the right question to discover whatever it was that he was under orders not to reveal. “Will we be traveling on Earth or away from it?”

The twitches intensified.

“Tam, I cannot tell you anything until you’ve agreed to go.”

“Jesus! We’re going to Titan, aren’t we?”

He removed his reading glasses and pressed his hand over his left eye to still the twitches. “I can neither confirm nor deny that.”

Titan: Saturn’s orange moon. Forty percent the size of Earth and rich in life-supporting chemicals. Bedrock composed of ice, rivers and seas of liquid methane, and enough hydrocarbons to heat the Earth for a thousand years.

“What is the purpose of the trip?”

“I cannot tell you anything until you agree to go.”

“Well, I cannot give you my answer until I know if we’re going to harvest the hydrocarbons for Earth or if we’re going to try to colonize it.”

Max now had both eyes covered with his hands. “Tam, I cannot tell you. You will just have to use that brilliant mind of yours to figure it out all on your own.”

His response told her that something he’d said had provided the answer. She focused on the ability to work with teenagers. You wouldn’t take teenagers on a ship to harvest, but you would to start a colony. By the time they arrived, they’d be young adults possessing a full span of child-bearing years.

“I’ll go.”

 

AMAZON

All books are free for KU subscribers

About the Author

Liza O’Connor lives in Denville, NJ with her dog Jess. They hike in fabulous woods every day, rain or shine, sleet or snow. Having an adventurous nature, she learned to fly small Cessnas in NJ, hang-glide in New Zealand, kayak in Pennsylvania, ski in New York, scuba dive with great white sharks in Australia, dig up dinosaur bones in Montana, sky dive in Indiana, and raft a class four river in Tasmania. She’s an avid gardener, amateur photographer, and dabbler in watercolors and graphic arts. Yet through her entire life, her first love has and always will be writing novels.

 

Social Networks

FOR MORE INFORMATION ABOUT

LIZA O’CONNOR

Investigate these sites:

Liza’s Multiverse Blog

Liza’s Blog and Website   Facebook   Twitter

All the Many Books Liza has written

Destination Titan2 AND aRRIVAL

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Enjoy the reading!

All my best,

Alexandra

Free book — Meniscus: Winter by the Water-climb

Here in New Brunswick we are enjoying a gentle fall – nice days and cool temperatures. but the howling winds and bone-chill will soon begin.

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So, how do the folks on other planets prepare for winter? Find out – the third book in the Meniscus science-fiction series – Meniscus: Winter by the Water-climb – follows the characters as they get ready for the chilly season.

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To help you get ready for a winter on planet Meniscus, I am running a free book promotion with Amazon Kindle. Meniscus: Winter by the Water-climb will be free in Kindle edition from October 22 to October 25, 2017.

To order, just click here.

Although this is a series, Book Three can be read stand-alone. I hope you will enjoy the read!!!!

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Meniscus Winter by the Water-climb

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Winter on the planet Meniscus is brutal — the plenty of other seasons gives way to scarcity and desperation. Unprepared for the months ahead, Odymn and the Slain find shelter with the generous Argenops, furry, friendly creatures. When Odymn has to survive without the help of the Slain, she must depend on her own wits and her skill at parkour to survive the alien landscape of the Themble. But she is not prepared for new arrivals in the Themble Wood, a group of survivors, freed from slavery when their transport crashes in the Darn’el Desert. On a planet where Human relationships are not allowed, ten people and an alien child take the first steps toward building a community.

 

In the third book first of the Meniscus series, Winter by the Water-climb follows Odymn and the Slain as they try to survive a winter apart from one another’s help and protection.

 

Even in the dead of winter, you can build another home.

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All my best

Alexandra Tims

Six reasons to write narrative in poetry

Almost every day I wonder if I should have written my science-fiction story in prose, as is usual with fiction. Instead I wrote all three books as free verse, in a long narrative poem. Many people do not like to read poetry — too complicated, too intense, too much like high school. Poetry books, even those that tell stories, do not sell well. There is not even a category in Amazon books for ‘Poetry, Science Fiction’. Poetry is boring.

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I could have written my books as prose. I have written four books (unpublished) of fiction, so I know a bit about the process. If I was given the choice of reading a tale in poetry or prose, which would I choose? I only know, the story of Odymn and the Slain, set on the planet Meniscus, was made for poetry.

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Meniscus Crossing The Churn cover painting (3)

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1. The strange world of Meniscus needs strange description. This is a world where all is viewed through a purple mist.  The smell of cinnamon dominates. Water flows upward not down, and floats in droplets in the air. The alien language spoken on Meniscus is itself filled with alliteration and strange sounds. The word choices of poetry help the reader take the journey to Meniscus.

Bubbles rise, meet surface,

swell to domes, stretch and burst.

Disperse in elastic, floating drops.

 

Droplets hover

above the sheen of mosses,

between emerald and velvet ferns,

fronds flat and freckled.

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2. Poetry allows terse story-telling. A lot of information can be packed into a few lines. Description is sometimes sacrificed, but the reader, embedded in the story, can fill in the detail. Sometimes the world created by the dual effort of writer and reader is more complex and complete.

A slear-snake, trolling for prey.

Nostrils expel viscous breath, visible

in the light of the rising moons.

 

Putrid exhalation,

sulphides and zootoxins,

evolved to paralyse prey.

Three eyes, oozing.

 

Her muscles respond,

propel her forward.

Side-wind and a claw

rakes her back.

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3. The brevity of poetry suits the communications of the characters. The Slain, a genetically modified human with nictitating eyelids and the ability to channel energy to his armour, speaks rarely and briefly. Odymn sometimes jabbers she talks so much. The gaps and rhythms of poetry allow spaces in their conversation, the way white space on the page relieves our eyes.

“Odymn,” she says.

“Named by my father.

 

“Now you,” and points at his chest.

 

Blue sparks snap to the tip of her finger.

Faint vibration through hand, along arm,

deep into torso.

 

Penetrating stare.

Lazy double blink.

Membrane and lashes close and open.

 

“OK. I’ll choose a name for you.

Daniel. Or James.

Not quite right, too common.

 

“You need an alien name.

Something deep from Dock-winder mythology.

Amblyn, god of fire. Or De-al, water-weld.”

 

Steady stare. Double blink.

One hand lifts. One finger raised to lips.

Be silent.

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4. Odymn, the main female character, has a skill to help her survive on Meniscus — she is a practitioner of parkour. Parkour is a way of moving through the landscape with running, jumping and climbing. The flow of poetry helps with the description of the fluid movements of parkour.

Dismount from the tree.

Trunk to trunk and flip forward.

Leap and struggle to stick the jump.

Vault and pivot.

 

Loves the silence,

quiet impact of feet, slap of fingers.

Ballerina toes thumping the stage.

Hands touching the surface of planet.

'parkour through the wood'test

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5. When I write in free verse, I leave out most of the little words, the, and, a …  There is not much room for adverbs or unnecessary adjectives. The nouns and verbs tell the story. Actions read as more immediate, fast-paced and urgent.

Fingers ripping fabric.

Knee on her throat.

Violated by mouths and teeth,

dragged backwards over cobblestones.

Rising mist of red.

Fabric and legs splayed.

Skull-cracking fist.

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6. Love scenes are fun to write in poetry. The reader uses every word to suggest a hundred more. Even a word like ‘peel’ becomes sensuous, embedded with meaning.

He lifts her, removes

every barrier between them.

Cold copper and silken ribbons

peeled away.

 

His skin a brief pause

before muscles

and movement.

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I have considered writing other books in the series in prose. But when I do, I remember what is sacrificed. Brevity, depth, intensity, strangeness and urgency are components I want to keep in the story of Odymn and the Slain. Occasionally, I can relax the poetry to write dialogue, for example. But I always want to return to a place where the reader can walk through a village on Meniscus and experience the surroundings in brief impressions, as we do in reality.

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Narrow streets.

Smooth stucco, mossy stairs.

Aroma of brewing zed.

Passageways exhale

solace, comfort, repose.

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All my best,

Alexandra

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book give-away

Greetings earthlings. Would you like to know more about the planet where I live?

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One way is to read any of the Meniscus Series by Alexandra Tims.

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On Meniscus we have:

three-eyed snakes, twelve feet long;

crawling carpets of carnivorous vegetation;

genetically altered humans with nictitating amethyst eyes.

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You could buy the book … OR … You could win one! I am giving away four copies of Meniscus: South from Sintha at Goodreads from August 6, 2017 to August 14, 2017. No down-side … if you win (selection made by Goodreads), I’ll mail you, free of charge, a signed copy of my book. See the details below. Best of luck.

And stay away from carpets of moss.

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'attack of club-mosses' both halves

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Goodreads Book Giveaway

 

Meniscus

by Alexandra Tims

            Giveaway ends August 14, 2017.

See the giveaway details

at Goodreads.

 

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best always,

Alexandra

building a character for science fiction

When I first began to write my books about the planet Meniscus, I had my main male character firmly in my mind. I knew I wanted a character who would be strong and attractive, but one who would be very quiet. I wanted his motivations to be difficult to understand. And, I wanted him to look like this:

'Eu-hom' Nov 11 2016 (2016_12_30 00_28_35 UTC)

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The idea for my book came from a piece of writing I did in 1990.  The protagonist was a biologist, responsible for cataloguing plant species on an alien planet. One of the characters she encounters is Niober, a genetically-modified human, part man, part energy.

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When I returned to the writing in the fall of 2016, the name of the biologist (Odymn) and the modified human were all that I kept of that early writing (oh and the last line about being Odymn’s lover and friend). Niober’s name and the planet Kara and the energy beings all went to the bin.

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When I started writing in November 2016 and drew the image above, I was still calling my character ‘Eu-hom’, a very terrible name. That went to the bin as well.

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If I look at other books in the category science-fiction/romance, most covers have an image of a broad-shouldered, bare-chested man wooing a woman with long flowing hair. I immediately did Odymn’s hair up in a braid and covered the Slain’s chest in armour.

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The genetic manipulation idea gives me a lot of scope for making the Slain a bit strange. What really helped was providing some background for the process of genetic manipulation, in the description of another character in my book, Garg, a Doc-winder (tall, long neck, ruthless) (see here to learn more about Dock-winders):

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Garg – A Dock-winder; Head Geneticist at the Human Property Grow-up Facility in Sintha; most of the 49 tattoos on his neck were earned for Human genetic innovations, including energy armour, the nictitating eyelid, metabolic slow-down, thermal-imaging night vision, smooth-muscle vibration and disarticulating thumb and forefinger.

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The Slain’s motivation continues to be a bit of mystery in my books. When he is first introduced, he is a trader in sentient beings, kind but single-minded (take the Human from Point A to Point B). He is the product of his background, brought to Meniscus from Earth when he was eight years old and genetically manipulated to become ‘the Slain’.

I think of him, without home or family, invincible and independent, roaming back and forth across the woodlands and deserts of Meniscus, taking life as it comes his way. And, as a writer, it is easy to decide what he would do in any particular circumstance.

And then, one day, he intercepts a young woman, fleeing from a slear-snake.

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Meniscus Crossing The Churn cover painting (2)

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So, there you have him. The Slain.  A trader in sentient beings. A shrewd negotiator who is sparing with words. Fit, strong, silent in conversation. Not very flexible. A little calculating. Bare-chested except for his armour (and in winter when he wears a tunic). Critical of Odymn’s impulsive nature. Hard to figure.

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All the best,

Alexandra